I realized I was overwhelmed by the number of ideas I have for writing about different things and consequently wasn’t writing at all. So I got out my trusty notebook and began writing the list. Lo and behold an epiphany (I was going to say great revelation but I realized you can’t measure infinity, and likewise can’t measure the light in an epiphany) about my fantasy story. I love it so much I think I’m going to use it! Then I came to a kind of full stop. I didn’t know what happened next–the juice, so to speak, stopped, as if the power had suddenly been turned off. So I went away and ate my baked pear and when I came back I thought, “It’s all right that I don’t know what happens next. This is that moment Meg Rosoff talked about in Salem, where you can put your character into the car and have them drive the road home. But when they get there, whoever’s waiting at the door should surprise you as well as your character. So I am going to leave my moment at the point at which it has arrived for now and see what happens when I come to write it up as an actual scene.
One of the other pieces of writing that’s been on my mind since talking with my friend Seth’s friend, Jeremy, at the surprise birthday party is my roman a clef. And whether I want it still to be a roman a clef or a memoir. I was so surprised at how fascinated Jeremy was to hear about my parents, and that I want to set it in London, during the swinging sixties because that’s my strongest memory of everything to do with my parents, I came away from the conversation with a very different sense of how I might want to write it. What I was most struck by after that conversation was the “voice” in which I recounted various stories about my parents, and his partner’s reactions to some of my mother’s dresses and designs that I have in my Facebook photograph albums. (Jeremy’s partner, Tim, has just finished learning how to make patterns because he wants to be a couture designer.) I realized that in many ways the voice in which I recounted these stories to a relative stranger was the same voice that appeared naturally in the tribute to my parents…a more objective voice when I’m talking about my parents as artists, than when I’m talking about them as my parents.
The third thing I’ve been thinking about are my blog posts. I began writing them again at the beginning of the year because I needed to become agile again after almost a year away from writing, in how I think about and produce it. What I have observed is that I begin with one point and then somehow other things intersect as I’m writing, and I see them merge with the original idea in ways that are interesting to me. They become non-conventional mini-essays on things that intersect in my mind. Meaning, I don’t have a thesis that I then proceed to expand or defend. So I want to keep developing this place of where things intersect, as I was never particularly good at writing conventional essays; and perhaps as I go along with this project I may become better at both. Also Where Things Intersect will become the new subtitle for my personal writing space because I’m going to take my real writer made up worlds and use it for my work site.
The fourth thing is my work website that’s being designed and that I am now very excited about. I am finally certain about how I want it to look and why. I was deeply inspired by Patrick Corbin’s website which I came across when I was searching for information about him to add to a post I began last week, and which I will get back to, hopefully, this week. What I absolutely loved about Patrick’s website was the space and power of the image within this space, which drew me in and voluntarily forced my thoughts to recede into the background, and allow the stark simplicity of his page and portrait to flood my mind. It creates in me a kind of wonder of how something so simple can simultaneously be so powerful.
My web designer Lori Whiston has already built a prototype of the home page, which riffs off of Patrick’s website aesthetic. The first layer looks promising. I’ve been running everything by my coterie of secret writing friends–not that they’re actually secret: they are known to many on Facebook and in real life.
Now that I’ve written it all out in my notebook I feel the way Dumbledore must have felt whenever he poured his thoughts into the pensieve–more room in the brain to think about the present moment and what to wear to BAM tonight (that’s me, not Dumbledore. I’m certain his only dilemma would have been, which pair of socks).
I always come to read any new posts from you as soon as I can. I love the intersection- as you call it- of the ideas and philosophy here. Thank you for sharing.
Thank you, Tonia. Your visits are always much appreciated. xxxs
If only personal journals always functioned that perfectly, eh? We could dump our cares into them and walk away with clarity, however temporary. Sometimes it works, sometimes not.
This may be the reason I’ve never kept a personal journal or diary. I did for a short while when I was in boarding school, around the age of thirteen, but I suspect that was more to be part of the crowd than because I actually cared to. I have tried on various occasions to do it and I failed. I simply don’t find my life that interesting to write it down and leave it for someone else to read after I die. Because I can’t really see another reason to keep a private diary unless it’s cathartic and I have never found that writing out my hardest times in a journal type entry ever worked to alleviate them.
My father however loved keeping his diaries and he did it consciously, knowing people would read them after he was gone. But he did everything in that respect consciously, rather than self-consciously, because it was who he was. Just as painting, drawing, art, all of it, was who he was. He couldn’t help himself.